Nana Emile Zola 9781542453530 Books
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Nana is a novel by the French naturalist author Émile Zola. Completed in 1880, Nana is the ninth installment in the 20-volume Les Rougon-Macquart series, which was to tell "The Natural and Social History of a Family under the Second Empire." The novel was an immediate success. Le Voltaire, the French newspaper that was to publish it in installments from October 1879 on, had launched a gigantic advertising campaign, raising the curiosity of the reading public to a fever pitch. When Charpentier finally published Nana in book form in February 1880, the first edition of 55,000 copies was sold out in one day. Flaubert and Edmond de Goncourt were full of praise for Nana. On the other hand, a part of the non-reading public, spurred on by some critics, reacted to the book with outrage. While the novel is held up as a fine example of writing, it is not especially true to Zola's touted naturalist philosophy; instead, it is one of the most symbolically complex of his novels, setting it apart from the earthy "realism" of L'Assommoir or the more brutal "realism" of La Terre (1887). However, it was a great deal more authentic than most contemporary novels about the demimonde. Émile Zola (2 April 1840 – 29 September 1902) was an influential French novelist, the most important example of the literary school of naturalism, and a major figure in the political liberalization of France.
Nana Emile Zola 9781542453530 Books
If, as Shakespeare wrote in Hamlet, the purpose of art is to hold up a mirror to nature, Emile Zola must be counted as a great artist. Certainly he was a courageous pioneer who constantly pushed the boundaries of what was acceptable in literature. "Nana," published in 1880, was considered especially shocking in its graphic description of the rise and fall of a high-class prostitute, whose trajectory at every step corresponds to the fortunes of Napoleon III's Second Empire, which Zola (like virtually all educated Frenchmen) detested. Nana's grisly death from smallpox is timed to coincide with the beginning of the disastrous Franco-Prussian War in 1871, which led to the collapse of the Second Empire and national humiliation for France.By today's standards, Zola's treatment of his subject seems judgmental and moralistic, but for a book published in 1880 it is surprisingly steamy and even includes a lesbian love interest. . Although Zola saw himself as an objective scientist dissecting diseases of the body politic (keep in mind this was the period of Louis Pasteur and Claude Bernard), "Nana" is anything but a detached clinical document and has strong mythical and archetypal overtones that give it its enduring power. The title character indeed is not so much an individual as an embodiment of the corruption and moral rot Zola saw in the Paris of Napoleon III. Nana is nothing like the repentant Magdalenes and prostitutes with hearts of gold one encounters in the pages of Dickens, Dostoevsky, and Hugo: she is a heartless, predatory gold digger who uses men and then discards them, consuming their fortunes and ruining their health without any thought for the consequences. All the women with one or two exceptions are call girls or streetwalkers. Not that the men are any better: they're either pimps or degenerates who deserve their ruin. Almost the only sympathetic character is Madame Hugon, the mother of two of Nana's victims. The only character to come out ahead is Nana's lady's maid Zoe, who uses her earnings from the service of Nana and others like her to open her own brothel. "Nana" paints a powerful but despairing portrait of a society rotting from disease within and is a book the reader will not soon forget.
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Nana Emile Zola 9781542453530 Books Reviews
Rasoir.
An important novel, one of the best of Emile Zola.
Really great!!
Una de las mejores novelas de Emile Zola, extraordinario poder descriptivo.
Neither as great overall as "L'Assomoir" nor as despairing as "Therese Raquin," this, Zola's most scandalous novel still has the power of accumulated detail to show the tawdriness of Paris society in the mid-19th century.
Zola desarrolla muy brevemente y muy bien un gran número de personajes.
Literatura que envuelve, presentación deseada. Muy buen libro
Emile Zola is one of my favorite authors. He writes about human life at its best and worst.
Nana is a study in stupidity, greed, evil, and the total control that one person could possibly have over another. How could this end well? Nana is a timeless classic. Christine Schulz
One of my favorite books of all TIME I read when a young woman and then twice later. I really recommend. Its french naturalism meaning its written as if HOW THINGS REALLY WERE in 18th cent Paris, rather then how THINGS SHOULD BE. You get to see how everyone dressed ate, normal conversation, immoral behavior, all out in the open. Nana was an actress who ruined many rich men. And her little sycophants and madames and bankers and wealthy men. One scene my favorite is the dinner. It takes up a whole chapter. She invites all her suitors and all her friends and they eat and drink all night. Its roughly after a real courtesan too. She is a fallen angel and dies a diseased death.
If, as Shakespeare wrote in Hamlet, the purpose of art is to hold up a mirror to nature, Emile Zola must be counted as a great artist. Certainly he was a courageous pioneer who constantly pushed the boundaries of what was acceptable in literature. "Nana," published in 1880, was considered especially shocking in its graphic description of the rise and fall of a high-class prostitute, whose trajectory at every step corresponds to the fortunes of Napoleon III's Second Empire, which Zola (like virtually all educated Frenchmen) detested. Nana's grisly death from smallpox is timed to coincide with the beginning of the disastrous Franco-Prussian War in 1871, which led to the collapse of the Second Empire and national humiliation for France.
By today's standards, Zola's treatment of his subject seems judgmental and moralistic, but for a book published in 1880 it is surprisingly steamy and even includes a lesbian love interest. . Although Zola saw himself as an objective scientist dissecting diseases of the body politic (keep in mind this was the period of Louis Pasteur and Claude Bernard), "Nana" is anything but a detached clinical document and has strong mythical and archetypal overtones that give it its enduring power. The title character indeed is not so much an individual as an embodiment of the corruption and moral rot Zola saw in the Paris of Napoleon III. Nana is nothing like the repentant Magdalenes and prostitutes with hearts of gold one encounters in the pages of Dickens, Dostoevsky, and Hugo she is a heartless, predatory gold digger who uses men and then discards them, consuming their fortunes and ruining their health without any thought for the consequences. All the women with one or two exceptions are call girls or streetwalkers. Not that the men are any better they're either pimps or degenerates who deserve their ruin. Almost the only sympathetic character is Madame Hugon, the mother of two of Nana's victims. The only character to come out ahead is Nana's lady's maid Zoe, who uses her earnings from the service of Nana and others like her to open her own brothel. "Nana" paints a powerful but despairing portrait of a society rotting from disease within and is a book the reader will not soon forget.
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